In the opening scene of Love in Disguise, singer/songwriter Wang Lee-hom's directorial debut, the protagonist, a superstar, hits a paparazzo who has been bombarding him with questions about his girlfriend.

A new television adaptation of a literary classic is sending many into a spiral of discomfort. But Raymond Zhou defends it as a worthwhile attempt at a faithful recreation

After importing cartoon series for TV for more than 20 years, China is determined to develop its own animation industry. But China's potential Walt Disneys are yet to find their Mickey Mouse.

Documentary filmmaker Wu Wenguang is more often heard of than seen. A student of Chinese Literature from Yunnan University, Wu began working for a Yunnan TV station in the early 1980s, but soon left to spearhead China's burgeoning independent documentary scene.

The images are stark, bloody and dreadful — mayhem, in the commission of a dark scheme. It is difficult to imagine that the woman at the center of these scenes is Josie Ho Chiu-yee, daughter of Stanley Ho Hung-sun, the Macao billionaire gambling tycoon who, with his family, was ranked by Forbes Magazine as the 488th wealthiest person in the world this year.